What results is a wimpy track that lacks dancefloor punch, and a very confused producer wondering where they went wrong in their process. Many producers will overcompensate by taking specific measures to quell what they believe to be too much bass in their track. The most common offender? The unique elements of the room you’re producing in.įor example, unless your room has been professionally treated, you will have to deal with not only hearing the audio that comes out of your studio monitors, but also absorption, diffusion, reverberation, and isolation of the sound waves themselves. This is not always feasible – many external factors will skew your perception as to what you’re really hearing. When you are producing a track, you want the audio you hear to be as accurate as possible. If you want to understand how Reference 4 works, you need to understand a few basics of audio engineering.
#SONARWORKS REFERENCE 4 KVR SOFTWARE#
With the one, singular goal of “removing unwanted coloration,” the software is designed to help you achieve the highest quality mixdown possible, even when working less than ideal surroundings. Reference 4 is a VST/AU plugin that goes on the master chain of your Digital Audio Workstation. While many producers all swear by it, we needed to see if it truly lived up to the hype. We were highly intrigued to hear about a plugin that claims to give you “full confidence in sound,” and improve your mixdowns in the process. No matter what genre you’re in, properly balancing each element in your original productions can mean the difference between a club killing track and a dancefloor flop. As a music producer, there are few parts of your process more crucial than your mixdown phase.
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